Illustration Corner: A Revolutionary Mobile Exhibition Unit

Revolutionizing Art Display with Sara and Sara's Design

At the heart of the Illustration Corner lies a modular and flexible system that caters to the varying needs of art exhibitions. The design's strength is its ability to adapt to different contexts, ensuring that Slovenian illustrations are presented in the best light, both domestically and internationally. The challenge of safeguarding the artwork while making it accessible for sale has been ingeniously addressed through the use of archival UV protection foils and passepartouts, which are elegantly displayed on foldable hangers crafted from aluminum.

The design's unique properties extend beyond mere functionality. Each metal frame is equipped with a drawer for storing additional works by the artists, and the tabletop doubles as an exhibition surface for various items. The versatility of the system is further enhanced by the option to "dress up" the frames with portable panels and bookshelves for literary events. The result is a free-standing, dispersed layout that invites visitors to engage with the art from multiple perspectives.

Realization of the Illustration Corner was made possible through the collaboration of a dedicated team, including graphic designer Alja Herlah and project manager Maša P. Žmitek. The units were expertly executed by GC DPI d.o.o., with the design process involving rigorous prototyping and testing to ensure optimal shape, weight, and ease of assembly. The collaboration resulted in a design that is not only functional but also contributes to the aesthetic experience of the exhibition.

The Illustration Corner debuted in 2022 at the Minorite church in Maribor and has since been utilized at various events, including the Frankfurter Buchmesse 2023. The design's flexibility and practicality have quickly made it a signature element of the Illustration Center's identity, garnering acclaim for its innovative approach to art presentation.

Research underpinning the Illustration Corner involved an in-depth exploration of art exhibition methods, taking cues from a wide array of platforms. The design team's creative and technical prowess was put to the test, resulting in a solution that elegantly balances the protection and presentation of illustrations. The addition of custom-designed hangers as artist tags by graphic designer Alja Herlah further elevated the design, creating a sophisticated and cohesive visual language for the exhibitions.

In conclusion, the Illustration Corner by Sara and Sara is a testament to the power of innovation in the field of exhibition design. Its success at the A' Design Awards underscores its significance as a beacon of creativity and technical excellence. As it continues to shape the landscape of art exhibitions, the Illustration Corner stands as a paragon of how thoughtful design can enhance the appreciation and accessibility of art.